Arrived, met people, purchased provisions.
So far, I like this crazy church turned artists' all purpose space. It is my first stain glass windowed studio.
Saturday, October 17, 2009
Contemporary Artists Center: Day 1
Troy, NY
Arrived, met people, purchased provisions.
So far, I like this crazy church turned artists' all purpose space. It is my first stain glass windowed studio.
Arrived, met people, purchased provisions.
So far, I like this crazy church turned artists' all purpose space. It is my first stain glass windowed studio.
Saturday, August 22, 2009
Booked, some new work at Forthrite
A new world of fake books as seen at Forthrite in Oakland.
A fantasy monograph.
Party messes from the seventies to today.
New visions of old predators.
Sharp!
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A fantasy monograph.
Party messes from the seventies to today.
New visions of old predators.
Sharp!
href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPNkfRc80uJSJIU2_JTTM9jUYpFnCZoWwrehYIz-dnVXOLX36p4Mzv9YKMRN2lTUgQq4korhyfN9RqPUrs2QI-lIgN4aVFLlM8dmlMzlkUSRnjje_VKa69CEizpxDebHVHTspp-q-QWS0/s1600-h/IMG_0340.jpg">
Thursday, June 4, 2009
Take Down or Naked Platforms
Dis-assembly is fun.
For the record... the fine group of artists for "You wouldn't know contemporary art if it hit us in the face."
Tuesday, May 26, 2009
Z-axis, A Lobot Gallery Show
From an even more recent show: Z-axis at Lobot Gallery:
I was commissioned to make "Space Casestudy: Nightmare on Elm Street," for Z-axis, a show about the relationship between architecture and art. "Space Case-study" is part of a new series that re-interprets the space of a single horror film. I used a corridor type-structure to activate the images, stills from Nightmare on Elm Street, which explored dream spaces (seen in black and white) in relation to real space (seen in color).
More images: www.emmaspertus.com
I was commissioned to make "Space Casestudy: Nightmare on Elm Street," for Z-axis, a show about the relationship between architecture and art. "Space Case-study" is part of a new series that re-interprets the space of a single horror film. I used a corridor type-structure to activate the images, stills from Nightmare on Elm Street, which explored dream spaces (seen in black and white) in relation to real space (seen in color).
More images: www.emmaspertus.com
Hatch Gallery Show
Titled "YOU WOULDN'T KNOW CONTEMPORARY ART IF IT SLAPPED US IN THE FACE," a nice group show, and location of my first big piece on the West coast. This piece, "Transitional Space Platform," is a composite of wood and images where each level highlights a transitional area found in horror films (i.e. corridors, stairs, portals...). More info about the show: www.hatchgallery.org
More info abou tthe piece: www.emmaspertus.com
More info abou tthe piece: www.emmaspertus.com
Thursday, March 19, 2009
New and Old (or Re-use in California)
Horror Spots is the title of this piece that was displayed at Hatch Gallery's Print Sale. I love boxes, especially when they have pictures wheat-pasted to them. If you want one or two let me know.
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